Volume 16, Number 1, Fall 2000 (Full Report)

Studies and Confluences

• Authenticity, the “Pelado” and the Mexican National Identity: Essay versus Film during the 1930s and the 1940s
  Anne T. Doremus

• Women Hollering: Contemporary Chicana Reinscriptions of “La Llorona” Mythography
  Barbara Simerka

• Footnote to an Essay on Carlos Monsiváis (Reading “Mexican Postcards”)
  Linda Egan

• Adolfina's Song: Parodic Echoings in Reinaldo Arena's “El palacio de las blanquísimas mofetas”
  Francisco Soto

Creative Dimension

• “El hombre grandote”. The Formative Years of Dr. Martin Candelaria 1896-1918
  Michael Welsh

Volume 15, Number 2, Spring 2000 (Full Report)

Studies and Confluences

• Angels and Criminals: The Representation of Women in José Martí’s Love Poetry
  Suzanne Kocher

• Fireworks on the Borderlands: A Blending of Cultures in the Poetry of Alberto Ríos
  Joseph Deters

• Female Voice, Female Space in Gloria López-Stafford’s “A Place in El Paso”
  Mary S. Vásquez

• Oswald Spengler’s “The Decline of the West” and Alejo Carpentier’s “Los pasos perdidos”
  Galen Brokaw

• Mothers, Muses and Male Narrators: Narrative Transvestism and Metafiction in Cristina Peri Rossi’s “Solitario de amor”
  Nicola Gilmour

• Vargas Llosa in the Andes: The Racial Discourse of Neoliberalism
  Misha Kokotovic

Reviews

• Browne, Peter E. “El amor por lo [par]odiado: la poesía de Gloria Fuentes y Ángel González”
  By Sharon Keefe Ugalde

Volume 15, Number 1, Fall 1999 (Full Report)

Studies and Confluences

• Narrating Memory and the Recuperation of Identity by Mempo Giardinelli: “una historia sin olvido”
  Patrick L. O'Connell

• Bigas Luna's “Anguish”: An Eye on Discomfort
  Edward H. Friedman

• Irony, Reality, and Satire: R.H. Moreno Duran's “Metropolitanas”
  Gregory J. Utley

• The Emerging 'Feminist' Discourse in Cuban Cultural Production as seen through “Mujer transparente”
  Barbara Riess

• “Cómo se hace una novela”: The Testimony of an Exile
  Rose Marie Marcone

Volume 14, Number 2, Spring 1999 (Full Report)

Studies and Confluences

• Mythical Worlds of Latin American Writers
  Lee A. Daniel

• Estevan Arellano’s “Inocencio” in Praise of Local
  Erlinda Gonzales-Berry

• Self-Representation, Silence and the Discourse of Madness in “Testimonios sobre Mariana”
  Kristine Ibsen

Reviews

• Karen Christian, “Show & Tell: Identity as Performance in U.S. Latina/o Fiction”
  By Mónica Lettieri

Creative Dimension

• The Crazy Dance of Objects

• Ana María Hernando

• Narrative Framing and the Structure of “Don Quijote” Part I
  Jeremy T. Medina