Year 26, Number 52, November 2011 (Full Report)

Essays

• Notes on the Need for a Rhetoric of Theatre
  Eli Rozik

• The Rhetorical Structuring of Visual Culture: Metonymic Discourse in Fernando E. Solanas's “La hora de los hornos”
  David William Foster

• In the Gilded Cage: Chocolate and Widowhood in Calderón de la Barca’s “El pésame de la viuda”
  Mirzam C. Pérez

• Female Homosociality on Stage: The Erotic Triangle in Paloma Pedrero’s “El color de agosto” and “Locas de amar”
  Tracie Amend

• Baroque Spaces: The Performances of Guillermo Gómez-Peña and his Pocha Nostra
  Kat Austin

Theatrical Log

• A Conversational Review of Josefina López’s “Detained in the Desert”
  Jorge Huerta, Tiffany Ana López and Carlos Morton

Informative Reviews

• Eduardo Cabrera. “Teatro argentino: La dirección teatral en Buenos Aires”

Year 26, Number 51, April 2011

Essays

• The Verges Dance of Death Procession: Twenty-First Century Catalonia Reenacts Golden Age Religious Drama
  Arthur Horowitz

• Flesh versus Fantasy: The image of the Living Doll in Two Plays by Ernesto Caballero
  Albert David Hitchcock

• Teatro Luna: Bodies that Matter on the Chicago Stage
  Joanna L. Mitchell

For the history of theatre
In Memoriam: George W. Woodyard (1934 – 2010)

• George W. Woodyard (1934 – 2010)
  Jacqueline Eyring Bixler

• Tagging Behind: Fond Memories of George W. Woodyard
  Kirsten F. Nigro

Review

• María M. Carrión. “Subject Stages: Marriage, Theater, and the Law in Early Modern Spain”
  Paul Mitchel Johnsosn

Informative reviews

• Brenda Werth. “Theatre, Performance, and Memory Politics in Argentina”