Year 25, Number 50, November 2010

Essay

• Embodying the Middle Class in Argentine Theater under Neoliberalism
  Brenda Werth

For the history of theater
Theatrical log

• “In Memoriam”: Larry García: un artista del barrio (August 1, 1995 – July 29, 2010)
  Carlos Morton

• A Conversational Review of “Solitude” by Evelina Fernandez
  Jorge Huerta and Carlos Morton

Year 24, Number 48, November 2009

• Abstracts/Resúmenes

Essays

• Between Octavio Paz and Sabina Berman: Two Perspectives on the Mexican Revolution and National Identity
  Sharon Magnarelli

• Performing the In-Between: Caridad Svich’s “Iphigenia (A Rave Fable)”
  Katherine Ford

For the history of theater

• Víctor Hugo Rascón Banda
  Carlos Morton

Theater blog

• El Caballero de Fuente Vaqueros: Amaya Curieses’s “Los Barracos” de Federico and their Production of “El caballero de Olmedo”
  Valerie Hegstrom and Dale J. Pratt

• “In the Heights”: The bodega sells dreams
  Carlos Morton

Book reviews

• Bruce R. Burningham. “Radical Theatricality: Jongleuresque Performance on the Early Spanish Stage”
  Michelle M. Hamilton

• Ana Elena Puga. “Memory, Allegory, and Testimony in South American Theatre: Upstaging Dictatorship”
  Paola Hernández

Year 24, Number 47, April 2009

• Resúmenes/Abstracts

Essays

• Theatre Illusion: A contradiction in Terms
  Eli Rozik

• Occidentalist Violence of Othering in Griselda Gambaro’s “Es necesario entender un poco”
  Elisa Legon

Theater blog

• Staging Immigration: Portraits of Injustice in “14” and “El vagón of the Immigrants”
  Polly Hodge

• “Water & Power” by Richard Montoya at the San Diego Repertory Theatre
  Jade Power

Book reviews

• Eli Rozik. “Generating Theater Meaning: A Theory and Methodology of Performance Analysis”
  Irit Degani-Raz

Informative book review

• Sharon Magnarelli. “Home Is Where the (He)art Is: The Family Romance in Late Twentieth-Century Mexican and Argentine Theater”

Year 23, Number 46, November 2008

• Abstracts/Resúmenes

Essays

• Recourse to Action: The Renewal of Politics and Theater in Hannah Arendt, Antonin Artaud, and Augusto Boal
  Miguel Balsa

US Latino Theater. Los Angeles

• Hispanic Adaptation “Of Mice and Men”
  Jorge Huerta

• El Indio Baila, the Indian Dances: “La Virgen de Guadalupe Dios Inantzin”
  Carlos Morton

Informative book review

• Sharon Magnarelli. “Home Is Where the (He)art Is: The Family Romance in Late Twentieth-Century Mexican and Argentine Theater”

Year 23, Number 45, April 2008

• Resúmenes/Abstracts

Essays

• A Hug to Humankind from Asturias: “Albentestate”
  A. Gabriela Ramis

Theater en USA

• Visions of Night: “La Mambópera” by Adál Maldonado
  Lawrence La Fountain-Stokes

• News Voice in Latina Theatre
  Carlos Morton

Book reviews

• Bruce McConachie and F. Elizabeth Hart. “Performance and Cognition. Theatre Studies and the Cognitive Turn”
  Catherine Connor-Swietlicki

• William Orchard and Yolanda Padilla, eds. “The Plays of Josefina Niggli: Recovered Landmarks of Latino Literature”
  Ashley Lucas

Year 22, Number 44, November 2007

• Abstracts/Resúmenes

Essays

• Voyeurism, Genre, and "Unspeakable Acts": Two different Views of the “Pecado Nefando” in the “Comedia”
  Ted L. L. Bergman

• Performing the Spanish Civil War in the Catalan Stage: Homage to Catalonia
  Lourdes Orozco

• Musical Function in Selected Spanish and Cuban “Zarzuelas”
  Lucy D. Harney and Charles Ditto

• Opera and Spanish Jesuit Evangelization in the New World
  Chad M. Gasta

Year 22, Number 43, April 2007

• Resúmenes/Abstracts

Essays

• Are Directors' Interpretations of Play-scripts Always Justified? Case study: The Habimah Production of Garcia Lorca's “Blood Wedding”
  Eli Rozik

• Irigaray's Female Symbolic in Cherrie Moraga's “Shadow of a Man” and Carmen Boullosa's “Cocinar hombres”
  Rosa Campos-Brito

Text

• Men on the Verge 2: The Self Esteem Files
  Guillermo Reyes

For the history of theater

• Notes: Water and Power
  Jorge Huerta and Carlos Morton

Book reviews

• Mindy Badia and Bonnie L. Gasior. “Crosscurrents: Transatlantic Perspectives on Early Modern Hispanic Drama”
  Luis F. Avilés

• Catherine Larson. “Games and Play in the Theater of Spanish American Women”
  Kathleen Costales

• Luis Valdez. “Mummified Deer and Other Plays”
  Ashley Lucas

Informative book review

• Margo Milleret. “Latin American Women on/in Stages”

Year 21, Number 42, November 2006

• Resúmenes/Abstracts

Essays

• Traveling Light: Performance, Autobiography, and Immigration in Josefina Báez's “Dominicanish”
  Roberto Irizarry

Theater blog

• “La torna de la torna” by Els JogJars: history and production Teatre Romea, Barcelona, October 2005
  Simon Breden

• A Chilean Director's Re-Vision of Lope de Vega's “Fuente ovejuna”
  Valerie Hegstrom and Dale J. Pratt

• Zorro Rides Again
  Carlos Morton

Book review

• Jacqueline Bixler and Stuart Day, eds. “EI teatro de Rascón Banda: voces en el umbral"
  Raúl Brown

• Tamara L. Underiner. “Contemporary Theatre in Mayan Mexico. Death-Defying Acts"
  Donald Frischmann

Year 21, Number 41, April 2006

• Resúmenes/Abstracts

Essay

• Tradition and Innovation in Mexican Pastorelas and Posadas
  Bruce Dean Willis

For the history of theater

• The “Khronic” Body in History: Requiem for a Heavyweight
  Susan L. Fisher

Theater blog

• Dos pastorelas, un pueblo
  Carlos Morton

Book reviews

• Beatriz Aracil, Oscar Annando García, Alejandro Ortiz, Catherine Raffi-Beraud, and Nonna Roman Calvo, eds. “Fiesta y teatralidad de la pastorela mexicana”
  María Herrera-Sobek

• Rosa Ileana Boudet. “En tercera persona. Crónicas teatrales cubanas: 1969-2002”
  Yael Prizant

Year 20, Number 40, November 2005

• Resúmenes/Abstracts

Essays

• The Pleasure of Reading: Cruz, Tolstoy and the Pulitzer
  Jon D. Rossini

• Remarks on Degeneracy: “Aura y las once mil vírgenes"
  Juli A. Kroll

• Invading Space(s): Technology and Globalization in Javier Daulte's “Bésame mucho”
  Sharon Magnarelli

For the history of theater

• Jorge Huerta and Carlos Morton discuss “Electricidad” by Luis Alfaro
  Jorge Huerta and Carlos Morton

Book review

• Severino J. Albuquerque. “Tentative Transgressions: Homosexuality, AIDS, and the Theater in Brazil”
  Myron Alberto Ávila

Year 20, Number 39, April 2005

• Resúmenes/Abstracts

Essay

• Consuming Violence and the Feminine Body: Cooking and Dictatorship in Lucia Laragione's “Cocinando con Elisa”
  Ariel Strichartz

Text

• “Sábado corto” by Héctor Quintero: Laughing in Havana
  Candyce Leonard

Book reviews

• William Egginton . “How the World Became a Stage. Presence, Theatricality, and the Question of Modernity”
  Catherine Connor (Swietlicki)

• Patrizia Botta, Fernando Cantalapiedra, Kurt Reichenberger, Joseph T. Snow, eds. “Tras los pasos de La Celestina”
  Michele Hamilton

Year 19, Number 38, November 2004

• Resúmenes/Abstracts

Theater blog

• The Dark Side of Christmas in Hatillo, Puerto Rico
  Sharon Carnicke

• Calderón's “EI gran teatro del mundo on the Boards of La Comédie-Française”
  Susan Fischer

• “El Automóvil Gris” at the Wexner Center for the Arts in Columbus, Ohio
  Johannes Birringer

Year 19, Number 37, April 2004

• Resúmenes/Abstracts

Essays

• “Short Eyes”: Ethnic Identity in the Total Institution
  Philip Hanson

• Dance Telematics and the History of Art: “Here I come again (Flying Birdman)”
  Catherine Spaeth

Theater blog

• A Tale of Two Annas and Two Cities
  Jorge Huerta

Book review

• Eli Rozik. “The Roots of Theatre: Rethinking Ritual and Other Theories of Origin”
  Sharon Aronson-Lehavi

Year 18, Number 36, November 2003

Essay

• Facing Memory after the Disappearance of (The Body)
  Surpik Angelini

Latino theatre in USA

• Latino Arts Festival International: Theater under the Stars
  Polly Hodge

• A Comic and Sensitive Look at Undocumented Nannies: Living Out by Lisa Loomer
  Jorge Huerta

Year 18, Number 35, April 2003

Essays

• Transversal Poetics: I. E. Mode
  Zooz (James Intriligator and Bryan Reynolds)

• Staging Exile: The Search for Self and Nation in Pedro Monge's Theater
  Gail A. Bulman

Year 17, Number 34, November 2002

Essays

• Framing, Decoding and Interpretation: On the Spectator's Vital Role in Creating Theatrical Meaning
  Eli Rozik

• Narrative Games in Alejandro Tantanian's “Juegos de damas crueles”
  Sharon Magnarelli

Theater blog

• “La casa de Bernarda Alba” by National Asian American Theater Company
  Jorge Huerta

Book reviews

• John Andreasen and Annelis Kuhlmann, eds. “Odin Teatret 2000”
  Nancy Ruyter

• Elena Garro. “Teatro de Elena Garro: una nueva colección de teatro...”
  Catherine Larson

• Jorge Huerta. “Chicano Drama, Performance, Society and Myth”
  Juan Bruce Novoa

Year 17, Number 33, April 2002

Essays

• "The warrant of womanhood": Rosaura on the Post-Modern Stage
  Susan L. Fischer

• Rude Guerrilla Theater and Puig's “Kiss of the Spider Woman”: guts, taste and foreshadowing
  Polly Hodge

Year 16, Number 32, November 2001

Essays

• A Theater Posed Against Itself: Nieva's Metadramatic “Tórtolas, crepúsculo y... telón”
  A. David Hitchcock

• Ties that Bind: Staging the New Family in Revolutionary Cuba
  Camilla Stevens

• Medieval Theatre Revisited in Juana Díaz, Puerto Rico
  Sharon Marie Camicke

• Strutting their “STUFF”: A conversation with Coco Fusco and Nao Bustamante
  Antonio Prieto S.

Book review

• Deidre Sklar. “Dancing with the Virgin: Body and Faith in the Fiesta of Tortugas, New Mexico”
  Nancy Lee Ruyter

Year 16, Number 31, April 2001

Essay

• The Contestation of Cuba's Public Sphere in National Theater and the Transformation from “Teatro Bufo” to “Teatro Nuevo”
  Laurie Aleen Frederik

Year 15, Number 30, November 2000

Essays

• Is the Notion of 'Theatricality' Void?
  Eli Rozik

• Performing the Site of Complicity: Fray Motolinia’s Accounts of the Corpus Christi Festivals in Tlaxcala
  Patricia Ybarra

• Shakespeare with Calderón: Hamlet, Prince of Denmark & Sigismund, Prince of Poland
  Henry Sullivan

• Photography and Theater: Masquerade and Spain's “Running of the Bulls”
  Polly Hodge

Book reviews

• Johannes Birringer. “Media and Performance. Along the Border”
  Diana Taylor

• Kirsten Nigro and Phyllis Zatlin. “Un escenario propio / A Stage of Their Own (Actas Selectas)”
  Jill Robbins

• Armando Partida Tayzan. “Dramaturgos mexicanos 1970-1990: Biobibliografía critica”
  Becky Boling

Year 15, Number 29, April 2000

Essays

• Making Meaning in the Late-Capitalist Cultural Economy of the International Theatre Festival
  Ric Knowles

• “Fin de siècle” Celestina on Stage: Whose Text Is It, Anyway?
  Susan L. Fischer

Book review

• Michael Kidd. “Stages of Desire. The Mythological Tradition in Classical and Contemporary Spanish Theater”
  Michael McGaha