Number 16, December 2025
Gender Articulated: Visual Language and the Un/Seeable Self

Editorial

• Gender Articulated: Visual Language and the Un/Seeable Self
  Marsha Pearce

Visuals

• Piecing Together the Un/Seen: Collage as a Language of Being
  Marsha Pearce, Kashif Dennis, Farrah Karapetian, M. Florine Démosthène, Mazaré Trim

• Veiled Sight: Un/Masking Identities and Experiences
  Marsha Pearce, Marlon James, Ray Arcadio, Shari Phoenix, Sasha-Kay Nicole Hinds

• Beyond Glimpses in the Archive: Visual Narratives of the Land and Body
  Marsha Pearce, Tessa Alexander, Cydne Jasmin Coleby, Renluka Maharaj, Coralina Rodriguez Meyer

Peer Reviewed Papers

Gazing, Witnessing

• Site Seen: Visual Art, Sovereignty, and Blackness in the Anglophone Caribbean
  Chinyere Brown

• “What’s a Girl to do When She’s Needy?” At the Intersections of Queer Dancehall, Social Media, and Queer Caribbean Visuality
  Gabby Mahabeer

Writing Gender with Light

• “From Complete Despair”: Gender and Crisis in the International Photographic Archive of Haiti
  Shelby M. Sinclair

• The Choreography of Celia Cruz “en Camera”: Aesthetics of Gender and Performance Through the Lens of Black Visual Studies
  Elyse Veloria

Reimagining Self

• Carnival Madonna: The Contemporary Caribbean Baby Doll Masquerade
  Amanda T. McIntyre

Gender Dialogues

• The In/Visible Woman: Gender, Memory and Monuments in the Caribbean
  Allison O. Ramsay

• In/Visible Native
  Tracy Assing

• The Archbishop’s Drag and The Equal Opportunity Act
  Andre Bagoo

• What’s Found in the Foliage? Llanor Alleyne and Dominique Hunter in Conversation
  Bianca Mońa

• Carnival is Woman: The Female Gaze in Trinidad Carnival
  Shauneé Richards

• Mafalda Mondestin’s Secret Tropical Garden: Looking at the Island from the Dominican Republic
  Carine Schermann

• Home is a Feeling
  Rosanna Valencia

Contributors Biographies